Kim Ki-young makes the set himself and small props also, or buys them at the market and arranges them on the set himself as well. To show the difference between each period, for example, the 2-story western style house is switched into a chicken farm in the city outskirts.” (Kim Ki-young) This is the reason why the latter works are more critical of civilization. Korea went through great, rapid social changes in the 1960s, 70s and 80s. This is because what I focus on is not on the story itself but the characters and social setting. The movies were made at the request of rural businesses, but I think the 3 films differ from each other pretty much. Kim made Woman of Fire '82 to represent the 1980s. “Woman of Fire is a remake of The Housemaid, modifying the story to fit the social situation of the 1970s. Afterwards Kim Ki-young continues to depict the changing Korean society and crisis of the bourgeois family every 10 years in his following works such as Woman of Fire and Woman of Fire '82. The wife in full control of the family's finance, the helpless husband, and the housemaid from the country all reflect the social situation of the time. The Housemaid also deals with the Geumchon murder case that appeared in the newspaper.
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